Tag Archives: plant prints

Ecoprinting throughout the year – May

This post is about different pots and how new versus used equipment gives different results, as well as continuing my ecoprinting throughout the year theme.

If you want to see the posts for the rest of the year type “Ecoprinting throughout the year” into the search box.

May.

Pot – Rusty roasting tin, and also a new roasting tin. Also new tile supports as well as used tiles.

Water – Tap water with vinegar.

Paper – Cartridge paper, mixed media paper, watercolour paper.

Mordant – alum acetate

Leaf dip – rust water

Plants – Cranesbill geranium, red elderberry, herb robert, cow parsley, red ligularia, astilbe, beech and rowan leaves.

Cooking time – 40 minutes, turned, 40 minutes.

Blanket -none.

Images

This bundle was left overnight before going in the rusty pot. I don’t think it has made any difference to the prints.

Plants from the rusty roasting pan

The print below was cooked in the new roasting pan.

Plants from the new roasting pan

Below is a comparison of prints, on the left is the old rusty pan, on the right the new pan was used.

A comparison of the rusty pan on the left and the new pan on the right. The new pan print is much brighter but less tonal contrast than the one done in the old rusty pan.

This ligularia leaf is a good example of how some leaves give different prints from each side of the leaf.

A great example of how some leaves print differently depending on which side is in contact with the paper.

Conclusion – The plants in the rusty roasting tin are less vibrant in colour than the ones with new tile supports, cooked in the new roasting tin. The prints done in the rusty pan have more tonal contrast due to the iron in the pot. The ligularia leaf prints show how sometimes each side of the leaf prints differently.

My next post will give step by step instructions for ecoprinting on paper, I hope you will try it for yourself. You need some rusty water so if you haven’t started yours off I suggest you do so now, you can read about making it here. Adding some fine grade wire wool and vinegar will speed up the process.

Ecoprinting throughout the year – February

February has come around quickly, it’s time for another post about my ecoprinting / botanical printing journey throughout the year. During my journey I will share photos of my prints to see what works best at what time of year, and more.

If you want to see the rest of these “year posts” type “Ecoprinting throughout the year” into the search box. There will be other posts comparing plants for example, and a beginners step by step guide to printing on paper my way.

February.

Pot – Rusty roasting tin

Water – Tap with vinegar, I used the boiling water from the day before topped up.

Paper – Windsor & Newton cartridge paper

Mordant – alum acetate

Leaf dip – rust water

Plants -hellebore, cranesbill, aconite, herb Robert, daffodil, snowdrop, dried leaves.

Cooking time – 40 minutes, turned, 40 minutes.

Blanket -fabric dipped in iron water and rung out. Used on the snowdrops and dried sycamore leaf. (More about blankets later).

Observations – The wine coloured hellebores printed blue grey the prints are ok but some of the plant material damaged the paper as they are bulky flowers.

The daffodil printed better than I expected.

The dried leaves soaked in iron water printed well especially the sycamore leaf.

Snowdrops didn’t impart much colour (as expected) however ghost prints were achieved by using the iron blanket and the reused rusty water in the roasting tin helped in making darker prints.

Herb Robert printed black, probably because there was a lot of iron present in the pot.

The cranesbill didn’t print as well as expected. Maybe this was because the bulky flowers of the helebores prevented the cranesbill leaves having good contact with the paper.

The aconite leaves printed but the flower didn’t leave any colour at all.

Images

Conclusion – Bulky plant material like hellebores would probably be better with a thick fabric blanket between the papers acting like a cushion which gives better contact with the paper and less damage. Good contact with the paper is essential for detailed prints.